'Intimacy'...out now!
First impressions always count...so write them below! Here's BLOG PARTY's initial take on the new album...

01. Ares
Bloc Party at their most 'wildly experimental'. This is easily Bloc Party's most ambitious song to date, setting the bar high for the rest of the album. It begins like a Sigur Rós song, before an epic guitar scrawl and heavy drums signal the band's intent. Kele spits out his lyrics with venom over a frantic breakbeat, rapping them Dizzee Rascal-stylee. The first chorus itself consists of a series of screamed vocals, backed by the riff and drums. 'I Still Remember' this is not. Judging by the warm, synth breakdown towards the end of the track, the band have been listening to Burial during recording.
Key lyric: We dance to the sound of sirens
02. Mercury
The musical version of Marmite...evokes love and hate in equal measure. A cacophony of brass stabs, looped vocals and rumbling synths...it's too repetitive for some, but you can't deny the final crescendo, complete with samba drumming. Releasing this as the lead-off single was perhaps a good idea to attract attention, but it strays a bit too close to musical migraine territory for comfort.
Key lyric: My Mercury's in retrograde
03. Halo
The first taste of conventional guitars on the album - this plays like a classic fist-pumping Bloc Party song, all driving drums and interplaying guitars...could be a potential single. The last minute or so showcases Russell and Kele's trademark riffery, before Kele rounds things off with the downright sexy chorus.
Key lyric: Paralyse me with your kiss / Wipe those dirty hands on me / Maybe we're looking for the same thing / Maybe you're the one who'll complete me
04. Biko
For the Bloc b-side aficionados, this is similar to the recent b-side, 'Emma Kate's Accident'. Built upon a sparse guitar riff and Kele's yearning falsetto, the track slowly builds into a downbeat electro-ballad. A synthy song, this is likely to be one of the Jacknife Lee produced tracks and appears to have been written for a friend suffering from cancer.
Key lyric: You're not doing this alone
05. Trojan Horse
This track's been available on the band's MySpace for a couple days and was probably chosen as an album preview because it showcases both sides of the album - the trademark tremolo guitars, along with the electronic studio touch. A huge oriental-sounding riff comes in around the 2:20 mark, before a classic Bloc breakdown and a return to the riff bring the song to an abrupt close.
Key lyric: You used to take your watch off before we made love / You didn't want to share our time with anyone
06. Signs
Again, unlike any other Bloc song to date. The delicate music-box/glockenspiel intro is followed by billowing synths and a faint orchestral whitewash. Judging from the moving lyrics, this was written for a friend who recently passed away. Just past the three-minute mark, a full orchestra swoons in - a real hairs-on-the-back-of-the-neck moment. The most beautiful track on the album.
Key lyric: I see signs now all the time that you're not dead, you're sleeping / I believe in anything that brings you back home to me
07. One Month Off
Could be either an Epworth or Jacknife Lee track...shades of 'Helicopter' in the staccato guitar riff, but there is also some 'Mercury'-esque vocal sampling, carried out with a bit more panache in this track. 'One Month Off' boasts one of the catchiest choruses on the album - also a potential single candidate. Features an interesting time signature adjustment and Bloc Party's first key change, musos!
Key lyric: I can be as cruel as you, fighting fire with firewood
08. Zephyrus
This is the 'album centrepiece'. Beginning with a grime-y vocal loop, sparse drums and Kele's vocals, the track morphs after the first chorus into a full-on choral beast. Anyone who was lucky enough to experience last October's Electric Proms concert will know how Bloc Party sound with a full choral backing, and the chances are the band was inspired by that show. A haunting, unsettling track - but one in which the experimentation has pulled off.
Key lyric: And all you said in your quietest voice was "I needed you as much as they do"
09. Better Than Heaven
In which Bloc Party continue to get dirty and electro on our asses. A bouncy drumbeat propels the track along a bed of electro-blips and echoing guitars...until it explodes at 2:50 into a tumbling spiral of bass, guitars, synths and drums. Even the kitchen sink's in the mix somewhere.
Key lyric: What's with all this / Doom and gloom? / You used to be such / Such a laugh
10. Ion Square
On first listen, perhaps the weakest track on the album. The production, as on the whole album, is fantastic, but fails to mask a below-par song - the main problem being annoyingly repetitive vocals and a lack of direction. The song just...is. Nevertheless, it's sure to be a grower like 'Mercury', and the track builds up to an impressive outro.
Key lyric: The space between us has disappeared / You finish my / You finish my words for me
Final verdict: Those fearing a Greek mythology concept album after reading the song titles will be relieved. This isn't a drastic new direction for Bloc Party, and it feels like a natural progression after the first two albums. 'Mercury' is probably the most experimental track on the album (along with 'Ares'), and is also the track where the experimenting feels the most forced. On many of the tracks, the band have recaptured the early energy shown on 'Silent Alarm', thankfully managing to overcome the lethargic atmosphere that infiltrated a lot of 'A Weekend In The City' by re-introducing the buzz-saw guitars, urgent vocals and Matt Tong patented drums.
But this is far from being 'Silent Alarm' mark II. It shows a band evolving, swallowing the sounds and ideas from the first two albums, and spitting them out into a new cohesive whole. As far as the instrumentation goes, this is perhaps Bloc Party's best album to date - there's so much going on in each of the songs that they are bound to reward repeated listening. Where 'Intimacy' is slightly let-down is in Kele's vocals. Not in the lyrics - the intimate, relationship-based subject matter much better suits his direct style than the grandiose city-theme of 'A Weekend In The City' - but in the melodies. A lot of Kele's vocal hooks are beginning to sound very similar, to the extent that you can pretty much guess the next melodic hook in the majority of the songs.
But that's not to take too much away from what is a definite return to form...Bloc Party are back to what they do best...genre-bending emotional boy rock, this time with an added smattering of electro-pop, choral chanting, dirty synths and...erm...glockenspiel. Welcome back Bloc Party!
Labels: Intimacy